Eight Pieces of Writing Life Wisdom I Received as a Beginner (And They're Still Schooling Me, Eleven Years Later!)

This is the kind of foundational wisdom you can build a writing life on. | lucyflint.com

I tumbled into the writing life with a lot of ideas and a lot of advice.

Luckily for me, I wrote all that early thinking down as one of my final class projects before graduating from college: a long essay spelling out what I hoped and expected the writing life to be.

And at the beginning of this month—eleven years after writing it—I dug out that paper and reread it. After all this time, I was curious. I wanted to sift through the mix of hopes and fears that filled my transition from the student life to the writing life, and see what I thought I was getting myself into! 

Some of my expectations were pretty ridiculous—even damaging. I'm so relieved to have chucked those old beliefs and to have learned a better way forward.

Today, I'm looking at the other half of the paper—at the best tips and advice that I compiled after interviewing writers and professors, and reading a ton of articles and writing books before taking the plunge. 

Because I was surprised: there was some advice in there that I'd forgotten, some tips that I'd discarded without thinking, and some points that could breathe new life into my writing practice.

Who would have thought??

So I've pulled the best of it together to share with you: the solid stuff that still rings true. This is what I want to keep applying to my writing days.

Read on for some of the best, most lasting advice about the writing life!

1. Love of the work = the very best fuel. Eleven years ago, I had just read Julia Cameron's incredible book The Artist's Way for the first time. And, I'm ashamed to say, I totally blew her off.

So I casually wrote in my paper:

Julia Cameron warns that discipline can be seductive and counter-productive. One danger for artists is over-focusing on the discipline rather than their love of the work.

I cheerfully scribbled that down, and then went off to do precisely that: I overfocused on discipline. For, um, eight years.

Instead of focusing on my love of the work. Love? What did love have to do with it? I was used to doing assignments and handling deadlines—who cares about love?

Better to hold myself accountable for every single five-minute period of my life, and rate my output with pass/fail grades all the way, right? 

Hahahaha. Nope. 

It's taken a long time, but I am finally, finally applying Cameron's excellent advice to my writing life. I'm aiming at love and enthusiasm in my work.

How about you? Being super disciplined is all the rage right now, and it definitely has its points ... but it can also backfire.

Let's bring discipline back into balance with enthusiasm and love of writing.

2. Long live the daily brain-dump! Another brilliant piece of advice from The Artist's Way is Julia Cameron's classic practice of writing morning pages: three pages of stream-of-consciousness, written longhand, first thing in the morning.

I tried them for the first month after graduation. With a lot of griping. And then I decided "they did not work."

But I'd forgotten their whole purpose: to just clear your mind first thing in the morning. They aren't supposed to be nice. They aren't supposed to even be readable. They can be as whiny and grumpy as you feel: that's their job. To just catch what's in your mind.

Now that I've relearned what they're for, and now that I've been practicing them for a year, I can't not do them. If I skip a day, I feel more mentally cluttered. I get off-balance.

They're every bit as essential to my mental hygiene as brushing teeth first thing is to my mouth.

Have you experimented with adding morning pages to your days? Even if you've given them up like I did, they're worth trying again. I promise!

If three pages feels daunting, try starting your day with at least one, or even half of one. Do them simply to do them, to clear your mind.

3. Our MAIN job might not even be actually writing. So, fair warning: rereading this forgotten piece of advice blew me away. And it's been seriously messing with my mind ever since.

In the paper, I quote from an interview with Gary Paulsen (anyone else grow up adoring Hatchet?), in which he said:

You can't learn to write in a workshop. You can't learn in school or through a class. Writing is not going to help you learn to write. ... You have to read, and I mean three books a day. ... Reading is the thing that will teach you. Make it an occupation.

Holy moly! Can we just, uh, take a moment? Because he just said "writing is not going to help you learn to write," and I'm reeling at that.

Because, well, it kinda makes sense.

I don't know about you or what your writing journey has looked like, but it's so easy, embarrassingly easy, for me to downgrade the importance of reading fiction.

Over the past decade, I've been writing and writing and writing, and yes, it is gradually getting better, but I'm wondering if some of my rather slow progress is because I've been reading-starved?

Possibly?

Rereading this quote re-convinced me. Or, actually, it kicked me in the pants: I need to turn the dial way, way up on my reading life.

"Make it an occupation," he said. Ooooh. 

How's your reading life been lately, my friend? Are you, like me, a bit under-fed in that area? Let's dive in, big time, this summer! To a HUGE stack of books.

4. Respond to everything you read. As far as reading goes, one of my professors recommended that I keep a kind of Reading Journal.

She said that I needed a place to respond to what I read—where I could talk back, critique, delight, and explore.

This is one of the pieces of advice I actually stuck with, I'm happy to say. As I read (not as fast or as much as Gary Paulsen recommended, but I did still read), I took plenty of notes on lines I enjoyed, on what didn't seem to work, and on the overall feel of the book.

I compiled all these notes in a series of Word documents, in a huge and ever-growing folder on my computer. All very tidy, searchable, cross-referenceable.

But rereading that line in the paper, I suddenly have this wistful wish that I'd kept it in a physical journal. Something that feels more warm, more personal, instead of the lab-note feeling of my digital files.

Hmmm. Maybe a change is in order.

Tell me friends, do you take notes on what you read? Do you ever come back to those notes? How do you organize them?

And are you for digital or analog reading journals?  

5. Make good self-management a top priority. One thing that I was rather accurately worried about was burnout.

In that paper, I wrote,

I routinely hit a point in each semester when it feels as though I can't go on: I become very sure that every assignment will fall lifeless to the ground, that my GPA will plummet, and that there will be no recovery, not this time. I'm afraid that if I'm my own boss, I won't be able to pick myself up and keep on keeping on.

I always knew that managing myself well would be a key part of the writing life ... but I didn't really know what that looked like for a long time. It's taken a while, but I'm slowly learning to be much more kind to myself, and to trust my instincts (instead of automatically assuming I'm lazy).

This is why I want to keep asking questions about how to manage well. What does it look like to be a good boss, a kind boss, a wise boss? I never want to stop learning about that.

How do you feel about your own self-management style? Where do you most want to grow as a boss?

Let's keep working toward sustainable creativity and kind productivity. Let's keep learning how to manage ourselves well!

6. We are not machines. When I get overfocused on my work, on all that good reading and writing and time management and productivity and focus ... I kinda forget that I live in a body.

Which is why this bit of advice still rings true: Several professors pointed out that I'd need to balance reading and writing with plenty of actual physical stimulus.

Oh, the body. We don't just live in words!

I read a lot of Annie Dillard while at school, especially Pilgrim at Tinker Creek, and I was captivated by how Dillard's time in nature and her time spent reading all poured into her writing.

Which is probably why one of my writing professors recommended I follow Dillard's example: read, write, and roam.

To be honest, that's something I really haven't done much.

It's one thing for me to remember to take good care of myself. And another to remember to take good physical breaks, like stretching it out on my yoga mat, or shaking it off with a dance party. I'm doing pretty well at those things, though I always want to get better at health and movement.

But what I most want to come back to is that idea of a clear, even balance between read, write, and roam. To do that kind of wandering and watching.

As spring spills into summer, I want to really sink in to the habit of taking long walks, and spending as much time among trees and lakes as I do around words.

Sooooo many writers swear by the power of walks, of spending time in nature, of honing their ideas on long rambles. I don't want to just shrug that off anymore. 

How about you? How do you balance all the time around words?

7. The order of occupations is extremely important. This is one of my favorite, favorite pieces of advice. It can clear up 90% of my troubles when I get panicky or anxious.

One writer I interviewed made this lovely point: that if everything I did was in pursuit of Great Art, and The Writer Within—then I would collapse under the pressure of becoming that snooty kind of "Writah." (She said it like that, nose in the air. Writah.)

She said: never forget this.

She said, "You're a person first. You are a person who writes."

There in the coffeehouse on campus I earnestly scribbled down what she said, sensing the truth in it, the reasonableness of it, the way it would save me from my extreme moods and punishing systems...

... And then I spent far too many months trying to become a writer, and forgetting to be the person. Any non-writing thing that fell into my life, I tended to see as trouble, as distraction, as difficulty.

I'd forgotten this so-important truth: We are people first. We have to learn to be good humans before we're good writers.

Personhood has always interrupted me, as my family rode through years of change and illnesses and sadness and hey, even more change.

I did, eventually, remember this advice, and when I remembered the truth of it, I could let go the panic, the deadlines, the dented plans I'd made.

We are not machines, we're not robots, we're not heartless Writahs.

We are people. People who write.

And I think that's lovely.

8. How to defeat the obstacle of all obstacles. In spite of my eagerness to take the plunge into the writing life, and in spite of all the preparation I did beforehand, I was still terrified. 

I wrote: 

The humming of insecurities is building to a roar. Despite all voices of encouragement, I wonder if I'm being frivolous and ridiculous after all.

A roar of doubt. Before I'd even begun.

(Hands up if you've felt this!)

One of my professors warned me that the hardest thing for me would be to take myself and my ideas seriously. Confidence, she said, will make or break your writing life. 

Confidence! I had maybe a teaspoonful. 

Another interviewee put it this way: "Ignore your own insecurities. Act like you have direction."

This still makes me laugh, because in one way or another, I have done exactly that.

Sometimes it took a while for the ignoring insecurities part to kick in, but acting like I had a direction and moving forward, carrying my teaspoonful of confidence—yes, that I've done.

And in spite of the doubts and insecurities, and the ways they've shapeshifted and reappeared year after year—in spite of all that, I'm still here! Still writing!

Still picking words out and setting them in sentences!

Which is why I can say that perseverance is everything it's cracked up to be. We really can keep on keeping on, and if I can do it in the face of withering doubt, so, my dear lionhearted friend, can you.

But how to make it practical?

There are five little tips for dealing with doubt that I kinda slipped into my paper (and more or less acted on, actually, right at the beginning), which came from an article in The Writer magazine, written by Polly Campbell.

She recommends blasting away at doubts by: 

  • surrounding yourself with people who encourage you;
  • learning about the challenges of famous writers;
  • saving all positive feedback in a file; and
  • writing an essay that explains why you write.

She also says to "set a regular writing routine and keep to it. To succeed, you've got to believe. Act like you do, until that belief becomes reality."

And finally, she says, "Nothing destroys doubt like a good day at work."

That. 

That, my friends, is oh-so true. 


Mmm. There's nothing like a good Advice Festival to get me stirred up, ready to re-evaluate how I approach my work, how I think about it and structure it.

I'm definitely looking forward to reading a LOT more (thanks, Gary Paulsen!), to adding more roaming to my writing days, and to let myself be a person more than I'm a writer.

And too, I'm looking forward to using those tips for defeating doubt. You can never have too many tools in your anti-doubt toolkit!

How about you, my friend? What's some of the best advice that you've heard about writing? What kind of tips did you fill your pockets with, when you set out on your writing journey?

And, because surely I'm not the only one, what good advice did you actually ignore at first? 

What would you tell someone who is just starting out as a writer?

Calling All Sore, Troubled, Tired, and Discouraged Writers: I Know Exactly What Book You Need To Read Next

This is the book that's been radically reshaping my approach to the writing life. It's an absolute must-read, especially if you've been feeling weary, discouraged, and frustrated. You won't regret diving deep into this one, my friends. | lucyflint.com

Let me just start by saying: I'm totally blushing.

Why? Because when I first read this book ten years ago, I blew it off.

I thought it was "nice." Had some okay advice. But I didn't really take it to heart.

I completely disregarded this book. For ten years!! 

WELL.

I am here today to set things straight.

To declare my deep, deep love of this book. To celebrate its profound impact on my view of writing this summer.

And to report that it's basically changing my life and rearranging my heart and all kinds of good, important, radical stuff.

It's a big deal.

Whew. Deep breath. 

So have you read The Artist's Way, by Julia Cameron?! I've maybe mentioned it a half a dozen times this summer, so you've seen it go by a few times if you're a regular around here. 

But oh my goodness. I don't even know how to start talking about this book and how much it's helped me.

Let's rewind. Here's what happened ten years ago.

I was a mostly terrified and somewhat cocky college senior, a few months away from graduating, when I first read this book.

At the time, I felt fairly well supported. I was a student/writer who lived among students, who was praised by professors, who wrote a lot, who aced her assignments, and who could absolutely prioritize between School and All That Was Not School.

No sweat. 

The writing life? Pfft. My main concern was how do I produce fast enough? And, you know, make a wad of cash and meet Oprah?

(Pardon me while I laugh a whole bunch and wipe away a few tears. Ahem.)

What I didn't know at the time was that, at my core, I have a maniacal perfectionist bias.

Which means that, when it comes down to it, I'm convinced that I should work five times harder, five times longer, and make flawless things on the regular. (While being irreproachable in every area of my life as well.) 

I might have suspected that I had a slight perfectionism problem.

But if you'd asked me, I'd say that really, perfectionism is helpful, right? I mean, who wants to read crappy stuff? I'm all for excellence.

I had no idea how much of a block perfectionism is. How many awful messages are wrapped up in it, and how they've been trickling poison into my writing life. 

Yeah. Turns out, perfectionism is 100% toxic to a healthy writing life. (Whoops.)

I also didn't understand how my childhood (yep, I just went there) radically affected how comfortable I am at trying difficult things. Taking risks. Being seen. And maybe failing at them. 

I didn't realize that I have some really deep, persistent, gnarled roots of shame and frustration and anxiety that are all around the act of making something and presenting it to people.

As in, writing a novel, and, you know, publishing the thing.

Turns out, those kinds of scars, when not dealt with, will absolutely sabotage this kind of work. (Whoops again.)

But ten years ago, when I shrugged off this book, I didn't know that. I read all these same words, but I didn't really hear them. I definitely didn't see myself in what she was saying.

I just wanted some zippy advice for writing fast novels, perfect novels.

Heal and grow and take time to nurture myself? Nah. I want perfect novels, please, written at a blistering rate. Phone Oprah for me, okay? 

Well. Fast forward about ten years later, to January 2016. 

I was feeling some creative restlessness. 

No, it was more than that. I was getting really uncomfortable and anxious about this pattern that I kept seeing in my writing.

I could barrel along though a first draft and a second and maybe even a third, but then something would happen that would make me feel like my entire novel was broken. Beyond repair.

No editor, no amount of redrafting could save this manuscript.

So I'd chuck it and learn a bunch (characterization! structure!) and go on to the next thing.

Basically, in a nutshell: My progress toward publication kept getting derailed. It was uncanny. And I was getting really tired of it.

Something kept tripping me up, and though it had always seemed external, lately I'd started to wonder if it was partly ME, sabotaging myself.

And I felt this kind of nudge to go check out The Artist's Way again.

I was half rolling my eyes at myself. This book? How was this loopy, silly book going to help me?

So I dragged my feet about reading it. I ignored it, not really looking at where it sat on my nightstand. 

Until finally, in the spring, I began reading. 

And reading. And reading.

And—I'm not kidding—I felt like every single paragraph was written about me.

How did she know these things? She was describing everything I'd been wondering and feeling lately.

She talked about how artists can self-sabotage without even realizing it. 

She described the idea of a shadow career: one of the ways that artists try to skip being artists, or dodge what they're really meant to do.

How we can hide behind things that are like our main art while not actually doing our art.

(Which of course bears NO resemblance to my own path of working in two bookstores, working for two publishing companies, nearly becoming an editor, and now sometimes hiding behind a bunch of blog posts while neglecting a novel project. Doesn't sound like me at ALL, does it.) 

... Did I mention I'm blushing?

And then, yes, she looks back at the messages we received in childhood. Which I wanted to shrug off ... but which turned out to be one of the most vital parts of the book for me.

I was reading and rereading as I went. I kept circling back and finding even more insights. Which is part of why it's taken me so long to get to the end of it. 

It's set up as a twelve-week course. (Which is marvelous for those of you who, like me, still love thinking in school terms.)

Each "week" has a theme, and each theme is based around Cameron's idea of artistic recovery. So, for example, Week 1 is "Recovering a Sense of Safety," and Week 4 is "Recovering a Sense of Integrity," and Week 8 is "Recovering a Sense of Strength." 

(Doesn't that just sound gorgeous? Sigh. I'm definitely about to launch into a re-read.)

In each week, there are a few essays about that theme, and then some really amazing and helpful tasks at the end, followed by a weekly check-in. I loved the structure, and both the essays and tasks were massively helpful.

But the biggest and most healing thing for me is her constant, persistent, unflinching sense of support and love for the artist.

For you, my writing friend. And for me.

She keeps having the reader acknowledge the fear and pain and artistic mistakes from the past, through a variety of helpful prompts and exercises. And then we work on healing it, by nurturing our artistic selves. 

How do we do that? 

Oh. This gets really fun. (And terrifying, if you're like me and have a hard time with this kind of thing.)

We nurture ourselves with play. With joy. With little luxuries.

By doing silly things. By indulging. By spoiling ourselves.

(And yes, that death rattle noise is my inner perfectionist, who is hiding under a blanket. Because this goes against everything she stands for. How can being silly help make me a better artist? Indulging yourself?!? Where will it all end? Gasp, cough, wheeze, choke.) 

But basically, Cameron trains you to pamper and love and spoil and listen and treat yourself (and your work and your creativity), with utmost care and respect and kindness.

In other words, this book will help retrain all of us to stop beating ourselves up.

To stop starving parts of our creativity.

To stop submitting to the scars of the past and letting them destroy the future.

Nope. 

In fact, one of the mantras she recommends (which I both adore and really struggle with) is this:

Treating myself like a precious object
will make me strong.

Whoa, right? 

I mean... sit with that for a bit. Let it mess with you.

Where have you been believing that it's by beating yourself up, by being really harsh (and calling it accountability), by being inflexible and refusing to reward yourself, by nitpicking and sniping at yourself, by staring at your mistakes until you want to hide...

Where has that spirit of self-abuse been ruling your writing life? 

And do you, like me, feel like if you treated yourself super kindly—like you are in fact a precious Ming vase or an exquisite artwork—that if you do that, you'll just screw everything up, you won't be disciplined, you'll just get lazy, nothing will ever be done...

See, that's the argument that starts up in my head too. But Cameron calmly reasons it out of me.  

In a nutshell, she proves very conclusively that when our artistic lives are full of delight, excitement, and kindness, we are drawn to our work, we are truer to our own voices, and we write from a place of well-nourished strength. 

The results?

Are freakin' spectacular.

So, lean in to that.

Whoever you are, wherever you are at in your writing. Try to pamper your writing self.

Skip being harsh, skip self-punishment, skip all the nasty things we do to "keep ourselves in line." 

And try a softer, kinder, more intuitive way.

... You'll be hearing more about this book in the next couple of weeks, as I share some of the biggest lessons I've learned from it. Because this was just the tip of the iceberg, my friends.

But seriously, don't wait for me. You owe it to yourself to borrow The Artist's Way from a library, or grab your own copy and start underlining.

Dive in with an open mind and an open heart.

Commit to trying all her exercises. And get ready to discover yourself (and appreciate your instincts and your amazing writer's heart) in a deeper way than ever before.

This book will challenge and prompt and prod and hug you. 

I'm seriously going to reread mine, immediately, from front to back. Like, today. Right now.

Because it's changing everything.

And I'm convinced that it's absolutely essential to being the kind of writer I most want to be.

Here's the Truth: You Are Extraordinarily Generous (Even If You Worry About Being Selfish)

Is taking time to do your work (or all the supporting work that *allows* you to work) ... selfish?? Oh. Have I got a good answer for you... | lucyflint.com

When life gets frantic, it's been SO EASY for me to relegate reading to a "to do" item on my work checklist.

And when, inevitably, it falls off the list, it's so easy to just feel guilty and crabby about it.

Until all I associate with "reading novels" is guilt and frustration.

Yikes. Not a great situation for a fiction writer!

This month, in contrast, has been a sweet reminder of all the ways novels have been a joy in my life. How they've soothed and healed and delighted me.

And I'm so excited for these new strategies I have in place: I'm going to make my reading nook the most swoony place ever! I can't wait!

And reading in the morning still feels so rebellious to me, but I'm loving it anyway!

Oh, reading. It's so good to love you again. I feel like I've come back home.

I'm still thinking through that question of permission, though. Because, can I just say, this has been a very extreme summer for me. 

I've been spending a ton of time away from work over the last three months, to help out family members during an incredibly hard time. It's been worth it, for sure, but it has taken a lot out of me and my work.

(The month of August is going to be a month of rebuilding my writing practice: I can tell ya that right now!)

Forcing myself to take the time to read this past month: well, it's been lovely.

But it's also made me think about a key tension that's come up in my writing life, again and again.

No matter what the circumstances, I frequently trip over this: 

Sometimes, the time that I need to spend alone, so that I can grow as an artist, so I can work and dream and plan and read—

Well, it can feel a little selfish.

Of course, I know that "it's my work." In my brain, I can argue and reason enough to remember that it's important.

But sometimes it feels like I'm just "lookin' out for myself."

Selfish.

Does this ring a bell for anyone else? 

Especially if you live with other people. Or if you have friends. Or if anyone that you care about could possibly "need" you, or would appreciate your help. 

With anything. At all. Ever.

And you get that phone call, or text, or that request. 

And when that comes up during my writing time, or when it involves the time I planned to spend writing (or reading, or painting, or doing any kind of creative support work)—I have a real internal struggle on my hands.

If I choose to protect my time, and say no, I usually have to claw my way through a miserable storm of guilt. And I'm so exhausted by the time I get to my work (or so resentful), that it's almost easier to not work.

If I say yes, then I feel like I'm a superhero. But I also feel resentful and like I'm apparently the type of superhero who doesn't get to write fiction.

Which makes me sad.

... Does any of this sound familiar? Anyone with me on this?

I know what I'm supposed to do, usually. I know I need to choose the work more often than not. But sometimes, it just doesn't feel that simple, with layers and layers of What Other People Need.

Okay.

But.

Last week I caught Coldplay's concert in St. Louis. And it was so much fun. Confetti and lights and huge balloons and the band's infectious enthusiasm.

And so many times during that night, I thought: This feels like a gift. This concert feels like generosity.

Obviously our tickets cost money. Of course it wasn't a free gift.

But still. Something about the openness of the band, their cheerfulness and their message and their songs and their whole attitude—the joy and humor and sheer spectacle of it all.

I don't know how else to say it. It felt generous.

It felt like we, as the audience, were given the gift of that night, that experience. 

And for me, it was such a vivid picture of how creativity—in the words, the music, the art of the performance—is generosity to the people who get to witness it.

In other words: working on your creativity is not a selfish act.

I'm gonna say that again for everyone who needs it as much as I do: 

Working on your creativity, whether that means writing or dreaming or reading or doing any other kind of support, is not a selfish act.

It is a service.

As I watched Chris Martin zooming around the stage, part of me was dancing and singing, but the rest of me was trying to get a grip on this idea.

The generosity of working on creativity. 

I kept thinking about all the time that they've put into this.

The hours and hours and hours of honing their musical skills. And the time writing the lyrics. (Those amazing metaphors and phrases don't just happen, as we all know!) 

Then the creation work: creating songs, refining songs, throwing out the crappy ones, rewriting, remixing...

All of the effort that went into creating this music and this concert: I don't know how it felt to the members of the band.

How many times they had to say "no" to other things to make it happen. What sacrifices they repeatedly make, so that they can be who they are.

I have no idea what it all adds up to.

But I bet it's a lot. 

And the end result feels like total generosity. A connection with their audience. A festival, a spectacle. An uplifting and joyous night.

Sharing creativity is generosity.

Oh, lionhearts. Can we get a sense of that, down deep in our writerly hearts? 

The books we write, the tales we tell, the stories we share: it's about generosity. It's about giving gifts to our readers.

Sure, we'll be paid, and that's absolutely as it should be.

But in the quality of the work, the liveliness of the story, the beauty or the humor or the delight of the words: that's generous.

So let's just take a moment and apply that word, generosity, to everything that goes into making those stories.

All the time it takes to do that work. The dreaming, the doodling, the wondering. The plotting and outlining and structuring.

The throwing everything out and starting over. Multiple times.

Rebuilding chapters. Writing, rewriting. Re-re-re-rewriting. Revising and editing. Producing. Publishing.

ALL that time. All that effort.

This is the stuff we have to guard and protect.

This is what's behind the times when we say no to people we care about. The stuff we turn down. The sacrifices we make.

You're not being selfish, by protecting the time it takes to write well.

Which means that, it isn't selfish to say "I'm working" and then go read a story about a talking rat for two hours.

Okay? 

We are working to build gifts for other people.

Gifts that don't get written if we don't make the hard calls.

If we don't do what it takes to write them. To dream them up. To capture the nuances . To really sit with the ideas we have, and take the time to sculpt them, drive them deeper. 

To make stories that readers will dream about.

To write chapters that will be read in tense waiting rooms or in the midst of a heart-breaking season.

To write what will make people laugh. Or what will help them release tears that need to be shed.

To write what will connect strangers in the midst of pain. To write words that give other people a way to talk about their own experiences.

IT ISN'T SELFISH.

It is amazing, sacrificial, beautiful generosity to make the hard calls, and to protect what you need to protect, in order to be a storyteller.

Whew.

So ... I basically need to get that tattooed on my arms or something. 

How about you? What's the hardest thing for you to say no to?

When does it seem selfish to protect writing and creativity?

(And if it doesn't, then for the love of pete, please help the rest of us out and tell us more about your mindset!!)


Reading Report: Well, I'm thoroughly enjoying Bellfield Hall. I just loooooove mysteries. AND, our weather here has been a bit gloomy and overcast. I meanhow perfect can you get? Tea & a cozy blanket, anyone?? 

When You Doubt the Value of a Lighthearted Book in a Tough World, Remember This

It's easy to think that, in a tough world, we don't need the lighthearted books, the "silly" ones. But when I saw what they could do--precisely IN those tough times--I changed my mind about that. I think you will too. | lucyflint.com

Well, we're coming to the end of this gorgeous month of Reading Recess

I don't know about you, but it has been SO GOOD for me to slow down, to focus on reading, and to remember why we read.

To set up good, nurturing structure around the reading habit (in the mornings! in a nook!), but also to remember why we have permission to do this amazing thing: falling into novels and reading, reading, reading.

We have that permission, because we're the makers of this art as well. We have to keep experiencing novels as readers, to remember, again and again, everything that they can do.

Because books can be the loveliest of vacations, the sweetest escapes.

Because books connect people: they link hearts with hearts, and remind us that we're not alone.

And sometimes, they do both of these things at once.

In my reading history, there is one moment that stands out above all others.

One moment when a light-hearted, even "silly," book gave an amazing gift to me, my parents, and someone else we didn't know.

In the midst of fear, heartache, tension, physical pain, and hope, there was a story. 

I've talked about it before on the blog, when the memory was especially fresh. (I can't beat that version of the story, so I'm just gonna reprint it below.)

But seriously: for amazing moments with a novel, nothing in my life beats this:

We were in my mom's hospital room.

Waiting with her as they tweaked her pain medication, waiting for her to recover just enough from the surgery to go home. We were looking out at the amazing view from the seventeenth floor. Letting her rest, grabbing coffee from the lobby, keeping each other company.

And then: we were reading out loud. 

My family has always read out loud to one another: it's something my parents did for us when we were kids, and none of us got around to outgrowing it.

So my mom packed a lighthearted novel for her hospital stay, and Dad and I read it out loud.

And something funny happened.

Instead of being overwhelmingly conscious of I.V. cords and hospital gowns, the smells of antiseptic, the sounds of the equipment in the room (I never knew hospital beds were so loud)

Instead of all our worries about the surgery itself, and the outcome, and what the rest of recovery would be like, and if any other treatment was needed

We all teleported. 

To 1930s England. To chauffeurs in uniform, to having tea and lemonade on the lawn, to entertaining the vicar.

To frivolous women and pompous young men and imperious great-aunts. To thwarted love and silly mix-ups and endangered inheritances.

It was one of those comedy-of-manners kinds of books, trivial and subtle and funny. 

The only thing I had to focus on was reading the very next sentence. Everything else faded away. Mom listened and rested. Dad and I wrapped ourselves up in the story. 

And at one point I looked up to see my mom's roommate standing there, listening to me read.

She was holding onto her I.V. pole, with a feeding tube snaking into her nose, but she was with us in the 1930s, standing there in England, just for a little while. 

(She told us—in a beautiful accent that none of us could quite place—that she and her husband had been listening to us for a while, that it was lovely to overhear someone reading, instead of the noise of the TV. "There's a TV in here?" I said later, surprised. We had never even noticed.)

In other words—I tell this emphatically to the doubting voice in my head—in other words, books are still important.

Even when your family gets all shaken around and can't figure out what normal is for a while.

Even in a land of diagnoses and tests and results and lab reports and waiting, waiting, waiting.

After all, anything that can make two women forget—even for an instant—that they are in a lot of pain; anything that can move a group of people over a continent and back about eight decades; heck, anything that can keep me from realizing I'm in a hospital

Well. That's a very powerful force.

Whether the story reminds you of green lawns and sparkling lemonade, or whether it's populated with aristocratic assassins and monocled crime fighters [like the one I'm writing!]:

Stories are important.

And maybe there is no such thing as too silly, when even the silly stories can remind us who we are.


In reading news: I finished Emmy and the Incredible Shrinking Rat! SO much fun. And so I've started my final novel for this four-in-four challenge.

It is in the favorite-of-mine genre of British mystery. Thought I'd save the easiest for last! Somehow, I can never, ever read enough British mysteries.

This one's a recommendation from my mom (who is totally healed and healthy now, by the way!). It's called Bellfield Hall, Or, The Deductions of Miss Dido Kent, written by Anna Dean. 

Wahoo!! I'm super excited to dive in!! 

How's your reading going? Can you spend the last week of July splashing around in some fun-for-you (or dare I suggest it, even silly) novel??

Maybe in a lovely nest or nook? Maybe while eating something nourishing and delicious?

(Or a crisp gin and tonic: also fine with me. Heck, have two. It's been a tough summer.)

Wherever you are, whatever's going on: Save some time for yourself and a splendid book. 

Re-anchor yourself in the worlds of what you're reading. Switch your perspective for a while. Nourish yourself with words.

It's vital.

Happy reading to you, my friends!

Give Yourself This Simple, Powerful, Life-Sustaining Gift This Weekend

Let's not underestimate how sweet, blissful, and powerful a reading vacation can be! (Not to mention cheap. And totally doable!!) | lucyflint.com

And then sometimes, reading is just a blissful escape.

A cheap—but incredibly effective!—mental vacation. 

Obviously this can be abused, and of course it's not the most healthy idea to keep checking out in the midst of circumstances that need your attention. (So let's not do that.)

But a well-timed book escape can also be balm

Find a good, absorbing novel, and it's a ticket away, a mind-spa. Nourishment.

When they're set in an exotic locale, a book escape makes me feel like I really have "seen" other places and other times. (Love Mary Stewart's books for that!)

But more importantly, reading in this way protects space and time for me to rest, to be nurtured. To remember what I value.

To hear about courage, to read about other people's struggles, and through that, to feel steady enough to re-enter the fray of my own life. 

Books have filled this place for me again, and again.

Let's never underestimate the delicious ability we have, to escape into a book. To give ourselves a getaway, just by tumbling into a novel for a while.

(Or that we are writing such getaways for other people. It's a huge service, and a wonderful one, too!)

The most vivid memory I have of taking a "book vacation" was a little over ten years ago. I was in an emotionally brutal living situation. My roommate convincingly hated me, and there was no getting out of it.

To put it mildly, I wasn't thriving.

One week, I worked extra hard to clear all my homework by Friday night. And then I walked to our college library. Hiked up the five floors to the children's department. And I grabbed two thick novels by Robin McKinley. (Swoon!)

That Saturday, I woke up early. I carted some snacks out to our balcony and dragged out a chair.

And then I just read.

I snuck back inside for more food or for a bathroom break, but otherwise I spent the whole day on that balcony, in that chair...

but in an entirely different world.

No terrible roommate, no passive-aggressive behavior, no manipulation. I was Elsewhere, and it was marvelous.

By the time the book was over, it was night. I fell into my bed and dreamed story-inspired dreams.

The next morning, I started the second book. This time in my bed. It was a top bunk, so I made myself a little reading nest: I brought my meals and snacks up with me, snuggled under a blanket—and roared through the second book.

By late Sunday night, I'd finished them both. My eyes felt a little warm, a little sore.

But I clearly remember having this exquisite, deeply-rested feeling. 

Like I'd truly been gone. 

Like I'd been able to catch my breath.

I had enough space and time and words pouring through me, and somehow that helped me remember who I was and how I thought and what I liked. (All things which had been under attack in my living situation.)

It can sound like a small thing: two books, one reading-binge weekend

But there was also rest, delightful words, stories of courage. They were big, beautiful books of adventure and facing obstacles, which was exactly what I needed to hear.

And which, I guarantee, helped me survive the weeks to come.

So, let's never underestimate the value of a reading holiday. The power of a well-placed story. The way good books shine light into dark, difficult places.

Mmmm. This is no small thing we do, my novel-writing friends!

Every story we write is a powerful gift to someone else. 

Have you ever had a "reading vacation"? (Or, do you maybe need to take one right now??)

How or where has reading done that service for you? How has it lifted your burdens for awhile, so that you could re-enter the struggle with new energy?

In all honesty, I've had a pretty chaotic summer, and I'm not always landing on my feet these days. So my decision to spend July falling into novel after novel? Has actually been a pretty great one. 

It is so, so lovely to hit pause on all the worries and concerns and challenges. To slide into a book for a while.

And then to step back into the day with a fresher perspective, a little more energy. A clearer head. More words.

It's just one more way that books are beautiful things, right?

Give yourself that gift today, or this weekend. How can you make some space, clear some room for reading, and splash around in someone else's world for a while?

It's worth it. Especially if you feel like you don't have the time.

Take a delicious, story-fueled break. 


Okay, so, reading report: I'm about two-thirds the way through Emmy and the Incredible Shrinking Rat, and snickering all the way through. I love books like this!! It will be no trouble to finish it by the end of the week. 

How about you? What have you been readingand lovinglately?

Let's Stop Overlooking This Pivotal Aspect of Our (Soon-to-Be Amazing!) Reading Routines

It *seems* like a small, silly, forgettable piece of our reading habits. ... But is it? I'm pretty sure it's gonna be a game-changer for me, and you, and everyone else! | lucyflint.com

Sometimes, the most important parts of a routine are precisely the parts we consistently overlook.

So even though today's topic may seem like a silly, frivolous question to ask about our reading routines, I'm convinced that it's worth digging into.

And for those of us who struggle with getting to our reading, it could be a complete game-changer. 

(Also? It just might be the yummiest part of this reading recess series. Ooooh. Gettin' excited.)

All right, lionhearts. So, we know that where we work, and the quality of the place where we write, has a bearing on how we FEEL about doing that work, right?

Our working environment is sending us a message. It might not even be a message we consciously notice—it's probably just under the radar. 

But it is definitely telling us how we feel about ourselves as writers, how we feel about this work, and what our approach to writing is. 

I keep coming back to this truth: that when my writing life feels out of whack, one of the questions I need to ask myself is, has my writing environment gone offline somehow? 

It's an important question.

So... now I want to try something I've never done before. I want to apply that same question to reading.

For the first time basically ever, I want to ask the question: Where do I do most of my reading? 

And, more importantly: What is that space communicating to me? 

See, when I was working really hard to tell myself that reading really does count as work, I moved my reading to my writing desk. I sat upright, typed notes into my computer, elbows on the hard wooden surface.

Conscientious. Disciplined. Focused.

Um. Yes, it did feel like work...

TOO much like work. 

So then I moved my reading practice to my bed. I sprawled among the pillows, covered up with a soft afghan...

annnnd I definitely fell asleep. More than once.

So this month, as I've been powering through fiction, I've felt a bit displaced. Nowhere feels quite right.

Hmm.

I've also been reading The Artist's Way, by Julia Cameron. (Which, like I've said before, you are going to hear MUCH more about later, because it is the most insanely brilliant thing ever and it is totally changing my life. It's AMAZING. I'm so thrilled.) 

Ahem.

Anyway, Cameron keeps talking about how our artistic nature, our artistic self, is very much like a child.

Bright. Curious. Full of questions. 

And also? Largely motivated by play. By joy. By enthusiasm. 

What I keep finding out as I read, is that: Our artistic self loves to play and make messes. It does not so much love a life ruled by rigid, strict discipline.

HUH.

So—because Cameron's book has been right about SO MANY THINGS—I have to believe that this is true too.

And that's got me thinking. 

I'm wondering about how to apply the child-like joy I used to feel about reading ... to my actual reading space.

Heh heh heh.

I'm getting super super excited about this. Like, I almost can't believe I'm thinking about it. But: 

I'm considering making myself an all-out reading nook.

With yummy pillows and mosquito netting and heck, maybe even twinkle lights. 

Maybe that sounds silly. Foolish. 

But I know that reading is darned important. (Not to mention, it's basically half of my job description.)

And I know that I'm much more motivated by the idea of reading as play, as joy, as curiosity. That's how I read when I was a kid, when reading was fun and simple and easy.

So, I think it's time to appeal to that child version of me. And ask her what she wants.

And she says: "All of the pillows, and how about adding big cozy pouf? Also, yes to the netting, and are you kidding me, of COURSE the twinkle lights!!"

So that's my answer then.

Oooooh.

Well, that's going to be my project in the next couple of weeks. (I have a massively tight schedule for a week and a half, but then: I'm gonna rearrange some furniture and set this thing up!!)

Okay. I'm grinning ear to ear while I type this. I can't help it. Yeah, I'm over thirty years old, but what does that even have to do with it?

Why not have a totally scrumptious reading nook for myself?

... And what about you? Do you have an place that you tend to use for reading more than other places? 

What does it say to you—about yourself as a reader, about the act of reading?

Does it invite you in? Or does it feel cold and strict? 

When you think about a place to read, what's appealing for you? What makes you think, "HECK YES, I'm going to go read for an hour!"

Can you take a little time this week, and make your reading place a bit more intentional? Inviting?

What tweaks would it take, to make your reading area much more appealing? 

If you want some crazy inspiration, I found three roundups of swoon-worthy reading nooks: here, here, and here!  

I'd love to hear what you're going to do!! And I'll keep you posted on how my reading nook comes together. 

I think it's gonna be very much worth it.


Reading report: Yes, I finished the second book of my challenge!! I was a little disappointed with the ending of Confessions of an Ugly Stepsister. I didn't feel like there was really enough satisfaction to the climax and conclusion. But there were still bits that I liked (especially how he developed the world of Haarlem). Most of all, the experience of reading itself was still worth it. 

I've already plunged into my next bookone I've been looking forward to for a long time: Emmy and the Incredible Shrinking Rat, by Lynne Jonell. I read the third Emmy book awhile ago (not realizing it was part of a set!) and I loved it. So funny and charming. I've been looking forward to reading the first book in the set for a while. 

Mmm! Nothing like a good middle grade adventure with a talking rat. Right up my alley. ;) 

Responding To That Insidious Lie People Still Tell About Fiction

I keep meeting people who believe this. You probably meet them too. What to say, what to remember, when someone tells you fiction doesn't matter. | lucyflint.com

So, HERE'S some good news. The more I throw myself into reading these novels, the more I want to keep reading. 

It's that lovely truth: You can re-develop a taste for good things. It happens to me when I start drinking more water, eating more veggies, exercising steadily, or, for the past couple of weeks, falling headlong into one marvelous story after another. 

So, if like me, you've been away from fiction for a while, I hope this is encouraging!

The more I practice giving myself permission, and the more that I start my day with reading, the easier it gets to keep going. 

Yum.

I'm a good two-thirds the way through Confessions of an Ugly Stepsister, by Gregory Maguire. Oh, I love a good fairytale retelling!

There's always that delight of seeing how your expectations are handled—which events feel familiar, which ones are stood on their heads, or fleshed out in completely unusual ways... Mmmm.

It also reminds me of my struggles with the first novel that I seriously tried to write. For five years, I beat my head against an ever-expanding saga that I invented around the story of—brace yourself—The Princess and the Pea. 

More specifically, it reminds me of how hard it was to talk about the fact that I was writing a fairytale retelling.

All those conversations with the skeptical people who asked, "So what are you writing about?"

And I would perform whatever linguistic contortions I could to avoid saying, "Uh, there's a princess and a curse and an impossible test and the threat of madness and a huge journey and interactive memories and definitely a love interest and a fair amount of violence? Can we talk about something else?" 

I'm having better luck now, talking about my current work-in-progress. In part because I've learned my lesson, and I'm making sure that I love what I'm writing about

But also, I believe even more in the power of fiction. 

Any kind of fiction.

So "even though" I'm writing about an eleven-year-old girl going on an incredible, fantastical adventure in another world, with a crazy cast of characters and daunting challenges and mysterious spiders and possibly telepathic lizards and brain washing and aristocratic assassins...

I'm much more certain of its importance.

This book matters. I'm sure of it.

But some people don't really get how valuable fiction is.

Have you noticed this? Have you run into these people before?

The ones who will state—loudly and with a kind of bravado—"Oh, I don't READ FICTION."

Not in the contrite, confessional, okay I'm burnt out and what do I do about that kind of way. Or even the, I just can't seem to get to it lately way. Or the ones who say, I haven't found an author that really grips me yet. 

I get all that. That's totally fine with me.

I'm talking about the people who are essentially saying, "I don't need such fantasies to survive, thank you very much." 

It's smug. There's this belittling tone. As if they could say, "You poor children and your silly stories." 

In other words: Fiction is worthless.

When confronted with this attitude, I used to scramble for a response, feeling vaguely ashamed of myself, trying to find the scraps of my dignity.

As if I'd just invited someone to watch my homemade puppet show, only to receive a scathing response.

Or as if I'd just made a public announcement that I was, in fact, an idiot. 

Now I see it very differently.

And I've settled on a new reply.

So the last time someone told me, with a very superior grin, "Oh, I don't READ fiction. I've NEVER read a novel," I just took a deep breath, looked at him with all the pity I could muster, and said,

"I am so, so sorry to hear that."

As if he just announced that he'd had an amputation.

Because that's how I feel about it.

People who cheerfully choose to avoid all novels are literally cutting themselves off from a certain kind of understanding. Of a way to see other people, a way to connect.

Novels get to a place that movies and most non-fiction can't quite reachBecause there's an intimacy in fiction, an immediateness.

You see the characters' minds plainly, you hear their motivations, you're right up close to their struggles.

I think that what this man wanted me to say was: "Oh, wow, so you're not as frivolous as the rest of us, we who fill our heads with dumb lies. Good job, you superior person, you!"

Instead, I saw someone who was brittle and maybe even a bit scared.

Someone who didn't want to risk all the emotions and connections that happen when we put ourselves into the flow of stories, into novels. 

Someone who has no idea what he's missing. Or who he might be, if he let a stellar novel get under his skin.

I've mentioned a few times that I've been reading Brené Brown's amazing work. If you're familiar with her at all, you know how much she talks about the power of empathy.

Empathy—the statement that you are not alone

She's totally opened my eyes to how we need connection to other people. How we need to treat ourselves with compassion. How we need courage to live a Wholehearted life.

Guess what.

When we read novels, we get a sense of how other people share our struggles.

Have you had that incredibly powerful feeling, when you're reading a novel, and the main character experiences something similar to what you've gone through?

Whether it's an event, or a subtle feeling, or even a line of dialogue that you've said before: There's that shock of recognition, right?

Like you've suddenly caught your face's reflection in an unexpected mirror.

You are not alone.

Whew! That is powerful.

Novels have a unique ability to get in close to us, to wait until our guard is down, and then to say those life-giving words:

You're not alone. Someone else has been there. This writer gets it.

And then—there's a chance for a conversation. Maybe with the writer. Maybe with other people who have read it.

Suddenly there's connection, there's courage, and there's hope.

Maybe something that was shameful is now brought into the light where it can heal. And maybe there's some good self-compassion, as you realize that you're not the only one struggling. As you accept who you are and where you've been.

Dang it, I get all excited just thinking about this!! 

And as a writer, this is incredibly motivating to me.

I want to be honest in the story I'm writing.

I don't want to shrink from telling the truth about what it feels like: to risk big, to worry about your family, to face danger. To hope for change, to face day after day when you don't know what will happen, to heal broken relationships.

Besides. I owe fiction a debt. 

As an incredibly lonely kid, I saw people like me in books, even when I couldn't find them at my church or my school.

That sustained me during some really hard years. It helped me trust that there were other kids who felt like me, who understood me, who had been where I was.

Who survived

Like I said, that's powerful.

It makes me wonder, what is fiction about, anyway, if not connection? 

And are any of us actually above the need to be connected to one another? Above the need to belong?

Spoiler alert: Nope. Brené Brown is a very smart woman, and she says that the data says that we all need these things.

No one is exempt from this stuff. From these needs.

Which is why I'm convinced that to intentionally snub fiction is a sad, sad thing. An emotional amputation.

Let's not make the mistake of undervaluing the incredible novels that we read and write.

Instead, let's celebrate how they connect us, challenge us, and empathize with us. 

And if you're spending your time writing such things, good for you. It is a vital gift to other people. 

Don't let anyone tell you otherwise. Don't let the smug fiction-abstainers get you down.

Keep going.

Who knows who you might be giving courage to with your words? 


What about you? Have you seen yourself in fiction before? Have you had that shock of recognition, that sense of being understood? 

And have you run into people that don't seem to understand the value of fiction? What do you say to them?

When Do We Do Our Most Important Work? (Let's Refresh That Reading Habit!)

Making a fresh commitment to a definite reading schedule on the blog today! Because "whenever it happens" isn't a good enough answer for me anymore. | lucyflint.com

It used to be that I didn't have to think about it.

I didn't schedule it, plan for it: that would have been silly. It was simply something I did, because I loved it. 

As a kid, I had this incredible drive to read.

To read all the time.

I mastered the ability to pin a book under my chin so I could, say, make up the bed and keep reading. Or clean up my room and keep reading. 

Okay. I know. It was pretty counterproductive. (Sorry, Mom!)

But I read all the time. 

In high school and college, I read what I wanted to in and around the school requirements. Even when I was overwhelmed with homework, I still snagged Sunday nights for rereading stuff like  The Chronicles of Narnia or A Year in Provence. 

In the full-time writing life, I've had to experiment a bit more.

Next to the mega-challenge of learning to write a novel, remembering to read them seems like a less urgent task.

A reading habit fits for a while, and then falls apart, needing a redesign.

And that's where I'm at again: realizing that lately (okay, okay—for basically all of 2016 so far!), I've had no real plan for reading fiction.

Which means, I haven't been reading fiction.

I know that part of this relates back to that issue of having permission.

It's hard, sometimes, to know that I still have a bazillion emails in my inbox, or that I'm behind on my work-in-progress, and yet I'm going to do something that's always been classified as "fun." 

That's why I love the idea of a schedule, a routine for reading. 

Because, frankly, adding something to my routine is the best way I have for protecting it, and for proving its importance to myself. 

Mmmm. But what would that look like now?

I've been mentally browsing the possibilities, remembering how I used to get my reading in.

Sometimes, it was the last forty-five minutes or so of my writing day, a late-afternoon habit. But it got too easily pushed out of the way by other projects.

Then I experimented with a once-a-month reading holiday, which was glorious, but also felt a bit exhausting too.

And then, for the longest time, reading was my last act for the day. Cramming words into my head before turning out the light, hoping to brew dreams from my reading material. 

I still love the peace of that, but my days have been too hectic, and I'm too exhausted to read before bed. Which feels weird, but ... it's true.

So I'm looking for a new time slot for reading.

I love how Heather Sellers talks about reading in Page after Page. She writes,

You can't get too far off track as a writer if you are reading. ... Writers read. Reading completes the gesture. Reading is what we do. An enormous part of learning how to write better is learning how to read, sensitively, attuned to all the colors and emotions. ... The best way to tune your ear for this work is to read with passion and abandon. 

WHOA. Right?! 

That's such a helpful, corrective message for me. Something I need to keep hearing.

Because I always know, in my head, that reading is important, that it isn't just "for fun," that it's something that must be part of my daily life. 

But I sometimes forget it with my heart. It feels like I'm stalling, procrastinating, dodging the more difficult tasks.

It's a false belief that I have to just keep shedding, over and over again. 

A couple of pages later, Sellers adds,

I like to read, like Flannery O'Connor and Eudora Welty ... in the morning, before I talk, before I write.

WELL. That just sounds like the most delicious possible start to the day. 

And it got me thinking of one of my favorite reading memories. One morning, after an early drop-off at the airport, I came home around 5:45 and felt too awake to try and sleep again.

So I made tea and found some lemon biscotti. I sat by the window reading A Very Long Engagement, savoring the beautiful prose and the tea and the sunrise. 

... Which is also why I always love the opening of the 2005 version of Pride and Prejudice, watching Keira Knightley as Elizabeth Bennet starting her day with 1) a walk across English countryside, and 2) a good book.

Mmmm.

... Okay, so, seriously, I just fell into a little daydream about that. 

Here's the thing: it is so easy for me to realize and affirm that if I put writing first in my day, it'll get done. 

SUPER important. Super worthwhile.

And what about reading—the other half of a writer's job? When does that get the best schedule treatment?

I want that level of intentionality with my reading.  

So I'm wondering about shifting my reading to the morning

(Just typing that feels rebellious somehow!!)

Maybe not every day. Maybe twice a week. 

Oooh. 

I love that. I love that! It feels like a good change.

So, how about you? If reading is of critical importance to a writer—and it totally is!—then where does reading fit into your life?

Do you have a specific time when you make sure you get to it? Or is it kind of "whenever it happens"?

What tricks do you have for preserving your reading time? Or is it time to shake things up, start a new reading routine?

Wanna join me for morning reading? I'd love to know in the comments!


P.S., And yes, I did finish reading my first novel of the month! It was a good story, but A Thread of Grace felt like too heavy of a read, with all the heartbreaking news and the tragedies that have been happening lately.

Whew! I need a lighter book for my second read, just to give my heart a break. So, I'm going back to an easier-for-me category of fairytale retellings, with Gregory Maguire's Confessions of an Ugly Stepsister. Here goes!

Do You Have Permission to Do One of the Most Vital Tasks for a Writer? [In Other Words: Shhhhhh, We're Reading!]

Reading fiction is one of the most important things a novelist can do! But--for me, at least--it can be hard to make time for it. How about you? What obstacles are tripping you up? | lucyflint.com

Well, my wonderful lionhearts, I'm doing it. As I write this, I'm on page 170 of the first novel I've read in an eon.

(Okay, okay. A few months. But it feels like it's been an eon.)

If you missed Monday's post, here's the recap: I took the plunge and announced that I haven't been reading fiction lately. (Yikes!!)

And, since that makes me feel a little desperate, I'm challenging myself to read four novels in July.

(Woo hoo! I love a good timely challenge. Feel free to join me, if your reading levels have been a bit low.)

So, right after writing that post, I grabbed four yet-unread novels off of my shelves and threw myself into one of them.

I started with the hardest of the four books: for me, that means historical fiction, especially wartime historical fiction. (The one mega-exception to my usual reluctance to read this type of thing: The Guernsey Literary and Sweet Potato Pie Society, which I absolutely adored.) 

So I'm immersing myself in A Thread of Grace, by Mary Doria Russell. 

I've missed this fiction-reader's feeling of living a double life: Half of me is here in Illinois in 2016, hanging out with family and enjoying the first batch of summer tomatoes. 

The other half of me is somewhere in Italy in 1943, forging documents, hiking over mountains, probably falling in love with a soldier (or maybe a spy).

Mmmm. Two places at once. That teleportation thing. I love it.

The book is well-written and intriguing, and yes, I'm enjoying it so far. 

But trying to gallop through 426 pages of fiction in a week reminds me of something I miss about taking all the literature classes in college: 

Permission.

When I had three days to read an assigned novel, I did whatever it took to make it work.

I would block out the time, crank through the pages, and drink the lattes I needed until the book was done.

Here's the main thing, my friends: I didn't feel conflicted about reading novels in college. It was homework, it was for class, it was why I was there.

But reading fiction now? 

I have a hard time letting myself do it. I have a hard time giving myself that permission.

Isn't that crazy? 

I believe in the power of fiction, I love stories and storytelling, and my heart belongs to novels forever. 

Also, I'm a writer, for pete's sake! 

I know that reading is vital training for me. As Stephen King wrote, "If you want to be a writer, you must do two things above all others: read a lot and write a lot. There's no way around these two things that I'm aware of, no shortcut."

That makes so much sense to me. I totally get it, agree with it, quote it.

So why the disconnect? 

Why do I have such a hard time reading fiction during my work hours?

Why do I forget how valuable and irreplaceable it is? 

Hmmm. That's what I'm musing on today, friends. 

I wonder if it's because, for so long, fiction was my escape. You know? 

It was something fun for my free time. And now, it feels like "playing." Even though I try to remind myself that it's what I'm meant to do, that it's absolutely necessary. 

So. That is the underlying challenge of July: internalizing that permission.

Intentionally carving a place in my work week that belongs to reading fiction. Connecting my schedule to my belief in the importance of reading.

Whew! 

So that's where I'm at. I'm hoping to zoom through the rest of this book by the end of the week. I'll keep you posted!

And now, back to the book...


What about you? Do you feel inside yourself a definite permission to consume plenty of fiction? Or ... do you feel like it doesn't qualify as work? 

And to those of you with special reading goals this month—how's that going? Lemme know in the comments!! 

Three Critical Questions to Ask Right Now (to Transform the Rest of Your Year!)

Can you believe 2016 is half over? Time to check in! These three questions will help us map a good course for the rest of the year. | lucyflint.com

Happy July everyone! And happy Independence Day to all the Americans! (To my British friends—no hard feelings, I hope. Wish it could've gone down differently, because I really do love y'all!)

Can you believe that we're in the second half of 2016?

I mean—WHOA. The first half just flew past me! It's like I stepped on a banana peel somewhere in the middle of January and just sailed all the way to this point.

Halfway through the year. Whew! 

It's been such a blur! So this is a really good time to pause and take stock, right? To check in with how everything is progressing and to see what's needed next. 

How are things going for you? What's been awesome in the first half of the year? What's gotten a little off track

Wherever you're at, midyear is the ideal time to ask three things:

1) What wins from the first half of the year can you celebrate? 

2) Where do you need to release guilt around anything that hasn't gone well?

3) How can you tweak, reframe, and readjust, so that some things run more smoothly during the next six months?

Yes? Can I get an amen? 

Personally, I'm celebrating a renewed dedication to cultivating my creativity. I'm rereading The Artist's Way and looooooooving it!! You will definitely be hearing more about that in the months to come! 

I'm also reading Brené Brown's work and dealing with some scars I have from the past—weird messages that I picked up about using my gifts, creating, and being noticed.

It's a little heavy, but oh-so freeing!

And I can't tell you how excited I am for the next chapter of my writing life. It's gonna be amazing, thanks to all the (totally unexpected!) head and heart work I'm doing this summer.

Whew! So, a fistful of confetti goes into the air over all that! 

What about you? What can you celebrate?

It's so important to appreciate the good stuff that's happened. Otherwise, if you're like me, you can overfocus on all the tough things, and forget how far you've come!

And that's a self-defeating mindset to bring into the rest of the year. Mmm.

So: let's dance for a sec. 

Okay? Cool.

... And now, what needs some attention, some extra love, some change?

For me, there is one part of a healthy writing life that I have totally neglected for the last few months. As in—completely. 

I haven't been reading fiction lately.

Eeek!

I know all the things. I know how critical it is to read TONS as a novelist, and how reading stretches you in such good ways.

But I just haven't. I lost my appetite somewhere in all that happened this spring. And instead of my usual reading material, I drowned myself in non-fiction.

Maybe it was because I suddenly felt like I had a zillion problems to solve? 

I plunged into The Desire Map, and I re-re-re-re-reread A Writer's Paris, and fell into The Artist's Way (hallelujah!!), and tumbled into Brené Brown's The Gifts of Imperfection (WHOA, recovering perfectionists, you gotta grab that one!!), and Marie Kondo's The Life-Changing Magic of Tidying Up.

I've been reading plenty!! 

Just not that lifegiving and gorgeous stuff we call fiction.

I'm not going to feel guilty about it: I know exactly how and why I got here. So, guilt, begone! 

But I still want to make some changes about that. I need fiction. So guess what July is going to be about for me. ;)

At my college—hopefully this happens at every college!—we had two days off right around finals time, for studying. But they didn't call it "Order a Bunch of Pizzas and Study Your Brains Out" days, though that's what we did.

They gave it the somewhat old-fashioned (and in my opinion, totally adorable) name, Reading Recess.

I always loved the image that conjured up in my mind. A recess, a break, just for READING.

Welp, that's exactly what's needed right now. I'm declaring July the month of Reading Recess.

Specifically? I'm gonna launch myself into reading four novels in four weeks.

I know—for you mega-readers, that's not much. But part of why I haven't been reading fiction is because my life and living situation is craaazy right now. I'm in a kind of survival mode. 

Four novels in four weeks is gonna be a big deal for me. 

So, I have to clear some time for reading somehow! To make the space in my schedule, my Thursday posts for July are going to be a little different—much more brief, just quick check-ins.

(Unless I get super carried away talking about what I'm reading. Which, let's face it, can definitely happen around here.)

Sound okay with you? 

So that's my challenge. That's what ambitious looks like for me this July.

What about you? How has your reading habit been lately? Do you have a stack of books calling you? A genre or a reading project you need to check in with?

Do you have this nagging feeling that, like me, you haven't been reading nearly enough lately?

Because I'd love the company! What if we all took July to plunge in, to go deep, with whatever we most need in our reading lives?

Or, maybe your fiction habit is tip top. Maybe there's something else tugging at you.

What little challenge feels exciting and daring right now? What sounds inviting? What would be completely yummy for your writing life?

Look, it's July. And where I live, it's the summeriest part of summer.

This is the perfect time to look around, take stock, and clear the space for moving toward whatever you most need. 

For me, that's a few weeks of gulping fiction. 

What does it look like for you?

Ooooh. I'm excited.

Second half of 2016, here we come!!


What are you celebrating after the first half of 2016? And what do you most need to do next?

Anyone else want to do a bunch of reading in July? I'd love to know! Tell me all about your plans in the comments.

On Thursday I'll let you know how I'm doing. And next Monday, I'll report that I've (hopefully!) crossed the first title off my list.

Not planning on being legalisticyou know how we operate on grace around here! Just looking for a little good-natured accountability. 

Til then, I've got some books to fall into!